var discography_title = new Array;
var discography_artist_name = new Array;
var discography_image_1 = new Array;
var discography_image_2 = new Array;
var discography_image_3 = new Array;
var discography_image_4 = new Array;
var discography_image_5 = new Array;
var discography_id = new Array;
var discography_type = new Array;
var discography_catalogue_number = new Array;
var discography_catalogue_text = new Array;
var discography_track_text = new Array;
var discography_note_text = new Array;
var discography_display_date = new Array;
var discography_release_date = new Array;
discography_title[0] = "Clocks - 12 \" Mixes";
discography_artist_name[0] = "Coldplay";
discography_image_1[0] = "/ms/imagerepository/discographyimagespublic/1113676-1";
discography_image_2[0] = "";
discography_image_3[0] = "";
discography_image_4[0] = "";
discography_image_5[0] = "";
discography_id[0] = "1113679";
discography_type[0] = "Single";
discography_catalogue_number[0] = "";
discography_catalogue_text[0] = "";
discography_track_text[0] = "This extremely Limited Edition 12\" vinyl with remixes of Clocks <br /><br />The B-side also includes an exclusive mix of God Put A Smile Upon Your Face.<br /><br />Tracklisting:<br />Side A)<br />1. Clocks (Royksopp Trembling Heart Mix)<br /><br />Side B)<br />1. Clocks (Royksopp Trembling Heart Instrumental Mix)<br />2. God Put A Smile Upon Your Face (Def Inc. Remix) - Coldplay feat. Mr. Thing<br /><br />";
discography_note_text[0] = "";
discography_display_date[0] = "";
discography_release_date[0] = "Mon, 14 Jul 2003";
discography_title[1] = "God Put A Smile Upon Your Face";
discography_artist_name[1] = "Coldplay";
discography_image_1[1] = "/ms/imagerepository/discographyimagespublic/1113671-1";
discography_image_2[1] = "";
discography_image_3[1] = "";
discography_image_4[1] = "";
discography_image_5[1] = "";
discography_id[1] = "1113674";
discography_type[1] = "Single";
discography_catalogue_number[1] = "5525682";
discography_catalogue_text[1] = "";
discography_track_text[1] = "European import version of God Put A Smile Upon Your Face CD single only <br />European <br /><br />Tracklisting:<br />1. God Put A Smile Upon Your Face<br />2. Murder<br />";
discography_note_text[1] = "";
discography_display_date[1] = "";
discography_release_date[1] = "Tue, 01 Jul 2003";
discography_title[2] = "Clocks";
discography_artist_name[2] = "Coldplay";
discography_image_1[2] = "/ms/imagerepository/discographyimagespublic/1083324-1";
discography_image_2[2] = "";
discography_image_3[2] = "";
discography_image_4[2] = "";
discography_image_5[2] = "";
discography_id[2] = "1083327";
discography_type[2] = "Single";
discography_catalogue_number[2] = "";
discography_catalogue_text[2] = "";
discography_track_text[2] = "CD - Clocks, Animals, Crest of Waves <br />DVD - Features the video, interview, photo's and live versions of Politik and In My Place.";
discography_note_text[2] = "";
discography_display_date[2] = "";
discography_release_date[2] = "Tue, 29 Apr 2003";
discography_title[3] = "The Scientist";
discography_artist_name[3] = "Coldplay";
discography_image_1[3] = "/ms/imagerepository/discographyimagespublic/999640-1";
discography_image_2[3] = "";
discography_image_3[3] = "";
discography_image_4[3] = "";
discography_image_5[3] = "";
discography_id[3] = "999643";
discography_type[3] = "Single";
discography_catalogue_number[3] = "";
discography_catalogue_text[3] = "";
discography_track_text[3] = "CD  - The Scientist, 1.36, I Ran Away <br />7\"  - A: The Scientist B1: 1.36 B2: I Ran Away <br />DVD - The Scientist video, The Scientist (edit) video reversed, 2 minute interview footage, Lips Like Sugar (live) audio only and a photo gallery";
discography_note_text[3] = "";
discography_display_date[3] = "";
discography_release_date[3] = "Mon, 11 Nov 2002";
discography_title[4] = "A Rush of Blood to The Head";
discography_artist_name[4] = "Coldplay";
discography_image_1[4] = "/ms/imagerepository/discographyimagespublic/953605-1";
discography_image_2[4] = "";
discography_image_3[4] = "";
discography_image_4[4] = "";
discography_image_5[4] = "";
discography_id[4] = "953603";
discography_type[4] = "Album";
discography_catalogue_number[4] = "7243 5 40504 2 8";
discography_catalogue_text[4] = "";
discography_track_text[4] = "01 Politik<br />02 In My Place<br />03 God Put A Smile Upon My Face<br />04 The Scientist<br />05 Clocks<br />06 Daylight<br />07 Green Eyes<br />08 Warning Sign<br />09 A Whisper<br />10 A Rush Of Blood To The Head<br />11 Amsterdam";
discography_note_text[4] = "";
discography_display_date[4] = "Aug 26th 2002";
discography_release_date[4] = "Mon, 26 Aug 2002";
discography_title[5] = "In My Place";
discography_artist_name[5] = "Coldplay";
discography_image_1[5] = "/ms/imagerepository/discographyimagespublic/933385-1";
discography_image_2[5] = "";
discography_image_3[5] = "";
discography_image_4[5] = "";
discography_image_5[5] = "";
discography_id[5] = "933391";
discography_type[5] = "Single";
discography_catalogue_number[5] = "7243 5 51125 2 1";
discography_catalogue_text[5] = "";
discography_track_text[5] = "In My Place<br />One I love<br />i Bloom Blaum";
discography_note_text[5] = "";
discography_display_date[5] = "August 5th";
discography_release_date[5] = "Mon, 05 Aug 2002";
discography_title[6] = "Don't Panic";
discography_artist_name[6] = "Coldplay";
discography_image_1[6] = "/ms/imagerepository/discographyimagespublic/829623-1";
discography_image_2[6] = "";
discography_image_3[6] = "";
discography_image_4[6] = "";
discography_image_5[6] = "";
discography_id[6] = "829609";
discography_type[6] = "Single";
discography_catalogue_number[6] = "";
discography_catalogue_text[6] = "";
discography_track_text[6] = "DON'T PANIC<br /><br />Released 19 March 2001 (Europe only)<br />Produced & Engineered by Ken Nelson, Mark Phythian and Coldplay<br />Recorded at Rockfield Studios, Wales and Parr Street Studio, Liverpool<br />Highest UK Chart position: n/a<br /><br />By the closing weeks of Parachutes' release year, 2000, there was a sentiment within the band (and no doubt a significant proportion of the British public) that the album had received its fair share of exposure in that particular corner of the world.  Thus the decision to release a fourth single only in countries that had not been overdosed on Yellow and Trouble.<br /><br />The track agreed upon by band and record company was Don't Panic which had, over the course of six months' European touring, become an unexpected live favourite (thanks in part to Chris' harmonica solo and generous tossing of the instrument into the crowd).  The song had been re-recorded for the album having been released eight months earlier on the band's Parlophone debut release, The Blue Room EP.   <br /><br />The song's earliest incarnation, however, had found a place in the setlist at the very first Coldplay gig in January 1998 at Camden's Laurel Tree (now closed).  Originally it was entitled simply Panic and, with different lyrics and melody, was a sad recollection of a slightly disastrous evening Chris had spent entertaining a young lady called Alice Hill. <br /><br />The b-sides for the release varied from country to country but the standard accompaniments were two live songs from the Norwegian Rockefeller gig not previously released: the Bond theme You Only Live Twice and Bigger Stronger the lead track on the band's very release, the Safety EP. <br /><br />A couple of weeks before Don't Panic was released, the band picked up two BRIT Awards for Best Band and Best Album.   Simultaneously, the song was A-listed at Radio 1 (a first, I think, for a non-commercial single) and the innovative video by Tim Hope became a big favourite on MTV.  All of this meant that UK shops were filled with expensive import copies of the single and British fans ended up paying more than they should have.  In retrospect, we probably should have just released it there in the first place.<br /><br />P H <br />";
discography_note_text[6] = "";
discography_display_date[6] = "";
discography_release_date[6] = "Mon, 19 Mar 2001";
discography_title[7] = "Trouble Limited Edition 7 inch (No 1268 )";
discography_artist_name[7] = "Coldplay";
discography_image_1[7] = "/ms/imagerepository/discographyimagespublic/738581-1";
discography_image_2[7] = "";
discography_image_3[7] = "";
discography_image_4[7] = "";
discography_image_5[7] = "";
discography_id[7] = "738584";
discography_type[7] = "Single";
discography_catalogue_number[7] = "";
discography_catalogue_text[7] = "";
discography_track_text[7] = "A Trouble<br />B Brothers and Sisters";
discography_note_text[7] = "";
discography_display_date[7] = "";
discography_release_date[7] = "Mon, 23 Oct 2000";
discography_title[8] = "Trouble";
discography_artist_name[8] = "Coldplay";
discography_image_1[8] = "/ms/imagerepository/discographyimagespublic/598244-1";
discography_image_2[8] = "";
discography_image_3[8] = "";
discography_image_4[8] = "";
discography_image_5[8] = "";
discography_id[8] = "598247";
discography_type[8] = "Single";
discography_catalogue_number[8] = "";
discography_catalogue_text[8] = "The final track to be laid down in Liverpool before the final session in Wessex Studios, London, Trouble was not always the piano-led slow-burner that it became. <br /><br />Chris came to the band with the main chord structure and lyrical theme in September pre-production. Initial jams produced a fast guitar riff coupled with an aggressive vocal line that seemed heavily influenced by the early Supergrass singles. On the few occasions that the song was included in the set on the Bellatrix co-headline tour of November 1999, the emphasis had shifted onto the main keyboard riff but Will's drum pattern gave the song a calypso feel that actually sounded better than you might imagine. <br />";
discography_track_text[8] = "Trouble <br />Brothers & Sisters <br />Shiver (Jo Whiley Lunchtime Social)";
discography_note_text[8] = "Released: 23 October 2000. <br />Recorded at: Parr St Studio, Liverpool. <br />Produced by: Ken Nelson & Coldplay. <br />Highest UK Chart Position: Unavailable.";
discography_display_date[8] = "";
discography_release_date[8] = "Mon, 23 Oct 2000";
discography_title[9] = "Parachutes";
discography_artist_name[9] = "Coldplay";
discography_image_1[9] = "/ms/imagerepository/discographyimagespublic/597999-1";
discography_image_2[9] = "";
discography_image_3[9] = "";
discography_image_4[9] = "";
discography_image_5[9] = "";
discography_id[9] = "597760";
discography_type[9] = "Album";
discography_catalogue_number[9] = "par0001";
discography_catalogue_text[9] = "copyright of parlophone";
discography_track_text[9] = "01.Don't Panic<br />02.Shiver<br />03. Spies<br />04. Sparks<br />05. Yellow<br />06. Trouble<br />07. Parachutes<br />08. High Speed<br />09. We Never Change<br />10. Everything's Not Lost";
discography_note_text[9] = "PARACHUTES<br /><br />The recording and mixing sessions for the band's debut album were finished just six weeks before the pre-ordained release date of 10 July 2000.  The popularity of the single Yellow on British radio had made it imperative that the album be released in the immediate wake of its success.  This put enormous pressure on the band to wrap up a recording session that had been continuing intermittently since July 1999.<br /><br />The situation was best illustrated by promotional copies of the album that were sent out to journalists and radio DJs in mid-June.  It contained a mix of 'Trouble' different to that on the finished record and was enclosed in an anonymous blue wallet.  There was no artwork whatsoever.<br /><br />In a move that at the time felt foolhardy but in retrospect was inspired,  the band took it upon themselves to come up with a sleeve.  Equipped with a disposable Kodak and less than accomplished photographic skills, they managed to snap the shot that went on to represent their music all around the world.  The globe, bought for under £10 in WHSmith, had been their constant companion both on tour and in the studio.<br /><br />On its release, Parachutes entered the UK album charts at No.1, displacing Eminem's Marshall Mathers LP, and then remained in the national top ten for a further 33 weeks.  The album was popular in many countries internationally and the band were consequently engaged in an ad hoc world tour that would take them all the way through to September 2001.  It was only then, after commercial and critical success that could not have been forecast by even the most ardent of enthusiasts, that the band were able to return to London and begin work on No.2.<br />";
discography_display_date[9] = "12/2001";
discography_release_date[9] = "Mon, 10 Jul 2000";
discography_title[10] = "Trouble - Norwegian Live EP";
discography_artist_name[10] = "Coldplay";
discography_image_1[10] = "/ms/imagerepository/discographyimagespublic/738574-1";
discography_image_2[10] = "";
discography_image_3[10] = "";
discography_image_4[10] = "";
discography_image_5[10] = "";
discography_id[10] = "738577";
discography_type[10] = "Single";
discography_catalogue_number[10] = "";
discography_catalogue_text[10] = "";
discography_track_text[10] = "1 Trouble (live @ Rockerfeller Music Hall)<br />2 Shiver  (live @ Rockerfeller Music Hall)<br />3 Sparks  (live @ Rockerfeller Music Hall)<br />4 Yellow  (live @ Rockerfeller Music Hall)<br />5 Everything's Not Lost(live @ Rockerfeller Music Hall)";
discography_note_text[10] = "";
discography_display_date[10] = "";
discography_release_date[10] = "Mon, 26 Jun 2000";
discography_title[11] = "Yellow";
discography_artist_name[11] = "Coldplay";
discography_image_1[11] = "/ms/imagerepository/discographyimagespublic/598239-1";
discography_image_2[11] = "";
discography_image_3[11] = "";
discography_image_4[11] = "";
discography_image_5[11] = "";
discography_id[11] = "598242";
discography_type[11] = "Single";
discography_catalogue_number[11] = "";
discography_catalogue_text[11] = "The final recording session for Parachutes was dominated by the feeling of panic. Yellow had already been earmarked as an early summer single and the hope was that the album would be ready for release at around the same time. Any delays in completion would result in its release date being put back to October to co-incide with a third single. This would have been hugely disadvantageous. Everyone suspected that Yellow was a hit and therefore the perfect lead-in single for the album. Noone wanted to see an autumn release.<br /><br />So the pressure was on. Deadlines were so tight that originally the band had to forfeit travelling to New York to mix Yellow so that they could remain behind in Liverpool finishing off the album. However when the initial mix came back, the band were unimpressed. They insisted on flying out to oversee mixing themselves. This left them even less time to work on the three or four album tracks that still remained unfinished. <br /><br />";
discography_track_text[11] = "Yellow <br />Help Is Round The Corner <br />No More Keeping My Feet <br />On The Ground <br />";
discography_note_text[11] = "Recorded at Parr St Studios, Liverpool, Feb-Mar 2000. <br />Produced by Ken Nelson and Coldplay. <br />Released on June 26, 2000. <br />Highest UK Chart position: 4. ";
discography_display_date[11] = "";
discography_release_date[11] = "Mon, 26 Jun 2000";
discography_title[12] = "Shiver";
discography_artist_name[12] = "Coldplay";
discography_image_1[12] = "/ms/imagerepository/discographyimagespublic/598234-1";
discography_image_2[12] = "";
discography_image_3[12] = "";
discography_image_4[12] = "";
discography_image_5[12] = "";
discography_id[12] = "598237";
discography_type[12] = "Single";
discography_catalogue_number[12] = "";
discography_catalogue_text[12] = "The months of pre-production, gigging and studio time which preceded Coldplays arrival in LiverpoolUs Parr St Studios had not been wasted. When the band began jamming new tracks such as Yellow, Everythings Not Lost and Trouble just before their New Year break, the albums projected tracklisting quickly changed. It became apparent that some of the older songs had been surpassed and were no longer going to make the final cut. <br /><br />Not so for Shiver, a song which had been around seemingly forever but which no one had tired of. The backing track had been laid down in Wales just after the Bellatrix tour and Chris and Jonny completed their parts within a day at Parr St. The track was immediately biked down to Parlophone in London with the suggestion that it be released as a single as soon as possible. <br /><br />";
discography_track_text[12] = "Shiver <br />For You <br />Careful Where You Stand <br />";
discography_note_text[12] = "Recorded Parr St Studios, Liverpool <br />Produced by Ken Nelson & Coldplay <br />Released 6 March 2000 <br />Highest UK Chart Position - Unavailable ";
discography_display_date[12] = "";
discography_release_date[12] = "Mon, 06 Mar 2000";
discography_title[13] = "The Blue Room";
discography_artist_name[13] = "Coldplay";
discography_image_1[13] = "/ms/imagerepository/discographyimagespublic/598119-1";
discography_image_2[13] = "";
discography_image_3[13] = "";
discography_image_4[13] = "";
discography_image_5[13] = "";
discography_id[13] = "598122";
discography_type[13] = "Single";
discography_catalogue_number[13] = "";
discography_catalogue_text[13] = "After some good reviews in the press for Brothers & Sisters, healthy support from Radio1 and Xfm, a big London show with Catatonia and finally a record deal, the band were in an understandably confident frame of mind by early summer. After a solid if not spectacular performance on the new bands stage at Glastonbury and a handful of UK gigs, the band felt ready to record their first album. <br /><br />Again the location was London, as the band found a suitably experimental producer in Chris Allison, himself flushed with the critical success of the Beta Band's debut LP. Recording began in mid-July. <br />";
discography_track_text[13] = "Bigger Stronger <br />Such A Rush <br />Dont Panic <br />See You Soon <br />High Speed <br />";
discography_note_text[13] = "Recorded at Sync City Studios and Orinoco Studios. Produced by Coldplay, Chris Allison & Nikki Rosetti. Released in October 1999. Limited Edition 5000 copies";
discography_display_date[13] = "";
discography_release_date[13] = "Sat, 16 Oct 1999";
discography_title[14] = "Brothers and Sisters";
discography_artist_name[14] = "Coldplay";
discography_image_1[14] = "/ms/imagerepository/discographyimagespublic/598112-1";
discography_image_2[14] = "";
discography_image_3[14] = "";
discography_image_4[14] = "";
discography_image_5[14] = "";
discography_id[14] = "598115";
discography_type[14] = "Single";
discography_catalogue_number[14] = "";
discography_catalogue_text[14] = "Possibly the pivotal moment in the band's history was their performance at the Camden Falcon on December 7 1998 in front of, amongst about 150 others, Simon Williams. <br /><br />The gig was a good one and the co-founder of Fierce Panda records and veteran journalist was impressed. In the New Year's edition of NME, the band were astounded to find themselves listed amongst the magazine's tips for 1999. After an outstanding performance at one of Williams' Panda nights, Coldplay had become one of the hottest unsigned bands in the country. <br />";
discography_track_text[14] = "Brothers & Sisters <br />Easy to Please<br />Only Superstition ";
discography_note_text[14] = "Recorded at Station Studios, London, February 1999. Produced by Coldplay and Mike Beaver. Released in April 1999. Limited Edition c.2500 copies ";
discography_display_date[14] = "26 April 1999";
discography_release_date[14] = "Mon, 26 Apr 1999";
discography_title[15] = "Safety EP";
discography_artist_name[15] = "Coldplay";
discography_image_1[15] = "/ms/imagerepository/discographyimagespublic/598101-1";
discography_image_2[15] = "";
discography_image_3[15] = "";
discography_image_4[15] = "";
discography_image_5[15] = "";
discography_id[15] = "598104";
discography_type[15] = "Single";
discography_catalogue_number[15] = "";
discography_catalogue_text[15] = "The Safety EP was initially intended as a demo for the record companies. At a cost of around #200, three songs were recorded over a weekend in Sync City Studios: Bigger Stronger, No More Keeping My Feet On The Ground & Such A Rush. <br /><br />Once finished, all involved were so pleased with it that a commercial release was decided upon. Between band and management, the money was raised for 500 copies to be manufactured and distributed around London. However, most of these copies were given away either to uniformly-underwhelmed record company types or enthusiastic friends and family. By the time any shops were prepared to stack the record, there were only 50 copies left. <br /><br /><br />";
discography_track_text[15] = "Bigger Stronger <br />No More Keeping My Feet On The Ground <br />Such A Rush";
discography_note_text[15] = "Recorded at Sync City Studios, London, April 98. <br />Produced by Coldplay and Nikki Rosetti. <br />Released in May 1998. <br />Limited Edition 500 copies";
discography_display_date[15] = "";
discography_release_date[15] = "Mon, 18 May 1998";